[quote="Tidusauron12"]The fact that there are no lives of Tombo the Electric Bloodred or Frustration in my Blood make me extremely agitated.[/quote]

Tombo:
1) Omoide in My Head 2: Kiroku Series 2 DISC 3
2) Omoimde in My head 2: Kiroku Series 2 DISC 2

do you mean live videos?

edit lol http://www.youtube.com/watch?v=_2H7GlcjG44

Beat me to it on those kirokus lolol.

I don't have those CDs...

But anyways, now I can't decide if I like Sappukei or Num-Heavy Metallic more. I'm still leaning towards NHM, because it just... flows so fucking well. Also, School Girl Bye-Bye clicks with me as well. Haha, I still need to get into Distortional Addict. These guys are great. Too bad they broke up.

Zazen Boys is alright, I suppose. Though Mukai says he's able to express himself clearer with his newer projects, I don't think anything I've heard from post-Number Girl tops NHM.

There are a few absolutely fantastic Zazen songs, but for the most part they're just far too hit and miss for me. I want Mukai to make some more straight-up rock music again, seriously.

[url]http://www.youtube.com/watch?v=9mj6An4kr-I[/url]

What DVD is this? This is my favorite Number Girl performance. I would love to own it.

It's on disc 2 from the self-titled DVD, along with a bunch of PVs (iirc).

Oh man, Number Girl is really flowing through my blood right now. I wanna write songs like these guys did!

Haha, I'm finally starting to gain a fondness for School Girl Distortional Addict. Some of the tracks are a little too... unclear for my taste, but songs like "Touch" kick my ass. I also like "Hadashi no Kisetsu" a lot. The riff on "Sakura no Dance" is just fucking brutal.

I friggin love that album. Young Girl Seventeen is another amazing song, definitely in my top 5 Number Girl songs. I need to work on getting the b-side collections though, been dying to hear more by them past the albums.

Skoo' Girl Distortional Addict is my favorite Number Girl album. I guess because it was the first one I listened to. So to me, it has all of the NG songs I regard as classics like 裸足の季節, Young Girl Seventeen Sexually Knowing, and 透明少女. Especially 透明少女; the pv for that song hit me hard (which was also my very first NG experience).

OK, going off of the Omoide in My Head BEST collection, SAMURAI to Hadashi no Kisetsu is the most flawless transition between songs EVAR. Since I love both of these songs, it's just the most enjoyable thing ever.

I love Shibuya Rock Transformed!

OK, I'm gonna go ahead and say School Girl Distortional Addict is on level with Sappukei for me. Lately these tracks have been making so much perfect sense to me that I can hardly believe it, given all the problems I initially had with the album.

I'm preparing a piano cover for "Touch", and I can assure you my friends. It will be intense and badass as the original.

[quote="Tidusauron12"]OK, I'm gonna go ahead and say School Girl Distortional Addict is on level with Sappukei for me.quote]
Right on, brother. Looking forward to your cover.

[quote="Aplaca"][quote="Tidusauron12"]OK, I'm gonna go ahead and say School Girl Distortional Addict is on level with Sappukei for me.quote]
Right on, brother. Looking forward to your cover.[/quote][/quote]

Yeah. It's awkward in some places. But right now I'm working on perfecting it. Not hard to play... but it's awkward in some places. It's all about maintaining that raw, nonstop power.

Also, Destruction Baby single = perfect collection of songs.

Yeah Tidus, I strongly suggest getting the self-titled DVD. It's my favorite out of all of their DVD releases.

You should also check out Shibuya Rocktransformed Joutai. I love the songs from SGDA but they seem to pack a lot more punch (not to mention clarity) on that live album. That's where the Samurai to Hadashi no Kisetsu transition comes from, too. I never noticed Kurutte Sorou on the album, but on Rocktransformed... man, it's just amazing. And probably inspired a bunch of other Japanese indie rockers to star a band (I'm looking at you, TK.)

I also love the Destruction Baby single. The main song is okay, but the B-sides all blow it away. It's one of NG's finest moments to be sure.