[quote="ShwahnStuff"]
Also, yes! That chord in Rush does have the line going vertical. I was so confused on that! I think I asked here a long while back but don't remember getting an answer, so if you know how that should be, I'd love to hear it.
[/quote]

That is an arpeggiated chord [url]http://en.wikipedia.org/wiki/Arpeggio[/url]
In GP you would use the downstroke (Ctrl+D) or upstroke (Ctrl+U) for this technique. Manabe usually does downstroke arpeggiated chords.

[quote="ShwahnStuff"]
As for the post-solo guitar(s) on TYMT, it's hard to tell whether or not there are two guitars playing that part, as the guitars in the book are sharing the same row. Guitar 3 (or whichever is the extra) ends after the octave part, and then it's definitely back to Guitar 2, but it's not terribly clear whether or not Guitar 2 is still there playing the same thing as Guitar 3. I really think it is, though, and I think how I've tabbed it is correct that way. It would have specified if one was playing different notes, but it doesn't. Positive both guitars are playing, though.[/quote]

Now is guitar 4 in parenthesis showing the bass or treble notes, and guitar 3 not in parenthesis showing either just the bass and treble strings?

I Know You guitar II bar 18, and every subsequent bar, that D# I think it should be an E, can you double check that please.

For the double stop bends you listed can you confirm which if any, that both strings are raised in pitch. The score should show on the notation what note it should be bent up till, and if its both stings or just one.

For the who is playing which guitar it should be on the first page of each song. It should say Sawao Yamanaka Vocals Ect.

Thanks.

Will double-check I Know You again, but one measure of that part (I think the last of the Intro 2 part) was actually where the book seemed to be wrong. It contradicted itself, showing in the tab the notes being played on the 4th and 5th string rather than the 3rd and 4th, but just for one measure, and the actual notation just above it showed it being played the same as it is everywhere else in the song. Because of this, I think the notes are correct, because I don't remember it ever saying anything different, and I was looking at this part a lot.

Thank you for the answer on the arpeggiated chord. The book had it with an arrow, but I need to look back and see which way it went for sure before I fix it.

For the bends and all, it lists "C" for choke and "H.C" for half-choke. For these, I used full and half-bends respectively. What's happening on those bends I messed up is it shows it as a chord with a grace note on the lower note, and one of the chokes rising above it (wasn't clear to me that it just meant to raise the lower one, so I raised both). Listening to it now, it sounds infinitely better having fixed those parts. I don't think there were any that were actually supposed to have both notes bent, if that's what you were asking.

I think I'll wait until later when I can check the book again (again) before trying to clarify more.

[quote="TJWX5"]I Know You guitar II bar 18, and every subsequent bar, that D# I think it should be an E, can you double check that please.[/quote]

My book says its D#

While I never would have seen it this way, I think it might be that that post-solo guitar part on TYMT is showing the two guitars playing different things, despite the score not showing it the same way it does everywhere else. I'm going to change the tab and upload another version. Thanks for pointing this out, TJWX5. Could you confirm also take a look at this, Spikeness?

One more thing: does the guitar that comes in at the end of PML sound right, timing-wise? It's lined up so it starts at the beginning of the measure, but it also says there's a half-note delay, hence why I put it in starting halfway into the measure. Is this correct?

Oh, fixed Rush, too.

Also, no sign of who plays what. The only thing at the beginning of each song is the title, copyright, credit to Sawao for writing it, and then the lyrics.

I only have the Best Collection, but in my book, on the first page of each song, it has the names of who's playing what parallel to the measures. Then on the subsequent pages its listed as E. Guitar 1, 2, so forth.

[quote="Spike"]I only have the Best Collection, but in my book, on the first page of each song, it has the names of who's playing what parallel to the measures. Then on the subsequent pages its listed as E. Guitar 1, 2, so forth.[/quote]

Pied Piper is probably the last book that did this, as its the only one of mine that has it, Once upon a time, OOPARTS and Horn Again just list them as E.Guitar 1, Bass etc.
(and yes, I'm working on Last Holiday)

[quote="ShwahnStuff"]Could you confirm also take a look at this, Spikeness?[/quote]

As for the TYMT thing how they added the third guitar to the score is weird and confusing, I do kind of understand how it works though (ask me about the 4 guitars tracks in Dance with God, admittedly theyre much better laid out)

I'm not saying this is the case, but it wouldn't surprise me if the TYMT score was simplified or altered for the book, for most part the scores are correct, but theres certainly -some-alteration is some places for tracks.

As an example, Manabe plays that cool riff in Movement with an octave effect around the 7th - 9th fret area, In the bandscore its played around frets 2-4, without an octave effect.
I don't know if that's a change for the book or a case of "It's done this way live", but I've noticed it and it bugs me.

Guys, there's something wrong with my eyes or with my Guitar Pro, because i onle see and hear the bass track. What's the problem?

Bahaha, how'd I even do that? I guess I uploaded the ones from when I just tabbed out the bass parts accidentally. Fixed it.

Thanks a lot, Shwahn. I really wanted to play TYMT for some time, but was too lazy to learn by the tabs.